The open-air museum Kiekeberg (as if that wasn’t clear from the title) is located in the south of Hamburg (so actually still very much in the north of Germany) and shows the life of people in the north in the 19th century.
I went there with a friend just for fun after we had gone looking for tiles for his new place. Go figure! I know people who pick tiles! That’s how responsible I’ve become.
The museum has lots of small houses rebuilt to look like the aforementioned 19th century dwellings, complete with a smithy, a small farm, sheep and a home. The home is really interesting. Back in the day people used to live together with their servants and animals under one roof in about four to five rooms. One in which everyone(!) slept, one kitchen, a threshing-floow (yeah, better look that up) and the stable.
Inside the museum there is also an agrarian museum, but we had to leave. I was only dressed for well-heated tiling-shop-interiors and not for a cold day outside. The images here are all in black and white, but no sepia. Why not, I ask myself right now. It would actually portray the throwback well. But, nah! says my inner self. That’s corny.
So here they are, some insights into a cold sunday a fortnight ago.
Funchal is the municipal seat of the autonomous region of Madeira and its largest city with roughly 112 thousand people. Built into the mountainside it comes across as a rather large city, because there is a lot of footwork involved when you want to explore it. One of its most interesting features is the cable car that takes you from the coastal region high up to the mountaintop of Funchal.
the cable-car ride
There you find two botanical gardens, the „regular“ botanical garden, which requires yet another cable-car ride and the tropical garden, which is right next to the station. There you can spend many hours walking, enjoying the plants, artists‘ exhibitions and sculptures.
a sculpture in the tropical garden
The sculptures differ widely in their range, as the garden is subdivided into a number of zones, e.g. the chinese garden and so on.
Walking down the garden you come to a central spot with an old colonial looking house and a waterfall, which is the main image of this post.
tropical garden, full view
It’s a sight to behold. The waterfall with the central pond is quite amazing, actually and harks back to the many levadas in Madeira.
This is a long-exposure with the camera sitting on a bench, probably at f22 to get the exposure time to around a second. #nofilter
Back to the bottom of the city, you find the cathedral located in the centre of the city.
inside the cathedral of Funchal
In the old-town part of the city there are yet more sculptures and picturesque alleys with painted doors.
But of course, as everywhere in Madeira, the beaches are really rocky, which is why there are bathing facilities made of concrete, which I find interesting, because they seem so fallen out of the 1960s.
Leaving Funchal, one might drive to the north-west of the island to find other great places. I rather liked Porto Muniz, where you find amazing vulcanic rocks forming bathing spaces that look much more natural (they are artificially separated from the ocean, though).
And a restaurant located right in the rocks where you can eat while a gentle breeze comes from the ocean.
Madeira has a lot more to offer than whale-watching, as was to be expected. Most people go off on hiking-tours and we did so as well, when we visited the Risco-Waterfall. Apart from that we toured to the extreme west of the island, to the Ponta do Pargo for a spectacular sunset and Sao Vicente for the vulcanic caves. In a later post I will write about Funchal and Porto Moniz.
For most of these outings I brought my Olympus OMD Em10 Mark II and the 25mm f1.8 (50mm, f3.6 equivalent), a simple, light and effective kit, which is surprisingly flexible.
a view over Sao Vicente. In the foreground the entrance the grotto’s multimedia-experience
Sao Vicente is a small village with about 3000 inhabitants in its district and is probably most famous for the Grutas, the volcanic caves that can be explored as part of a guided tour.
a look inside a side-tunnel
The tour is quite short, though, as it covers only about 700m, but it ends on a multimedia-experience in which the genesis of Madeira is explained, which is quite nice. Through the caves runs a river of pure water that was filtered by the vulcanic rocks, which is drinkable. The small stream forms lakes underground which are very nice to look at.
a small -artificial – lake inside the caves
Outside of caves, you can find some nice restaurants and of course the extreme cliffs that are part of every coastal town in Madeira.
a vista from Sao Vicente
From Sao Vicente you can go along the coastal roads, which for a large part are not tunneled, which is an amazing experience in and of itself. You drive high up the cliffs along meandering roads and you’re sometimes able to catch a view over a valley and the landscape or the open sea.
a view to the south from Ponta do Pargo
At other times, the road leads you straight through a forest. It’s scenic, it’s wonderful and uplifting. I need to go back in order to get some images to prove the beauty of the northern coastal roads.
sunset at Ponta do Pargo
After a lenghty lunch at Porto Moniz, we went to Ponta do Pargo at the western-most point of Madeira and thus the perfect spot for a spectacular sunset. There is a lighthouse, which is still in use and only some other tourists were around for the view.
sunset at the lighthouse
The temperatures in Madeira are mild day and night, so we spent some hours there before and after the sunset, exploring the small space near the lighthouse photographically. Apart from the other people there were only some curious goats that alternatingly viewed us as interesting and fear-inducing.
the goats cannot decide what to do about me
I surely hope you enjoyed this small blog, today. Ahhhh, I think I can throw in just one more picture as an extra. Enjoy!
As I wrote recently, I was tipped-off about the beauty of Madeira, especially in terms of whale-watching there. So I stayed in Calheta, located in the south-west of Madeira, where the Lobosonda team organises whale-watching tours. As Madeira itself is a huge volcanic rock protruding high from the Atlantic ocean, there are no slopes falling gently towards the beach.
in the region of Calheta
Au contraire: the cliffs rise almost directly from the waterline to hundreds of meters and then some. From there you can go even higher towards the centre of the island where you find forests in the clouds with numerous waterfalls you can go visit. I did. There, my camera and flimsy tripod fought with gravity on a bridge across a gorge. They lost. It’s another story.
Back to Calheta.
We stayed at the very affordable yet highly comfortable and spacious Bela Vista Apartment overseeing the mountains to the west, giving us almost perfect sunsets. (In all honesty, they gave us no sunset at all, because of the pastoral mountains… does that amount to „almost perfect“? I do not know, there was a cow in the valley below, so that was nice.)
Booking two tours at Lobosonda gave us double the chances of not only seeing dolphins, but also larger whales like sperm whales or fin whales. The whales did not accept to the invitation to be spotted, though, but we saw lots and lots of bottle-nosed dolphins and Atlantic spotted dolphins (Stenella). The former do not seem to care for whale-watchers so much and just follow their route through the sea, but the Stenellas circle the boat out of curiousity or some other reason. The two trips were on two different boats, too. First the „Stenella“, named after… the Stenellas, a speedboat, and then an old fishing boat.
the Stenella speedboad
Both give two very different experiences. The Stenella is a fast and low boat with which you can easily follow every spotted school of dolphins.
a school of dolphins
The Ribeira Brava on the other hand is a more comfortable ride, gives you a longer line of sight, because you sit higher above the sea level, but you are not as flexible when taking pictures, because if things happen on the other side of the boat than the one you sit on, you actually have to walk over, find a stable seat and then make your images. That doesn’t work, dolphins are fast. Still, it is much more communicative and I would recommend it if you want your trip to be more social and less pragmatically focussed on „getting the shot“.
There are a couple of possible sightings, as I found out. More often than not, you simply see the fins of the animals as they swim towards their destination. That is quite impressive and is obviously also an opportunity for the animals to breathe.
an Atlantic spotted dolphin coming up to breathe.
This kind of behaviour is probably the most common to see, as most other behaviours like diving or jumping are either inappropriate for seeing the animals or simply very quick actions.
dolphins in front of a vista of Calheta
You can get these kinds of shots with almost any kind of camera gear. A 24-70mm (or equivalent) kit lens will go long enough and the f-stop almost does not matter as there will probably be enough light or the ISO does not interfere with the image quality, because you will not get fine details anyway (we should all be concerned with other things than ISO-grain, anyway). A shutter speed of 1/640 should also be sufficient. The picture above, though was shot at 1/1000th of a second at f8, ISO500 and 300mm equivalent. I shot with a fixed shutter speed of 1/1000th, and had ISO and f-stop on automatic, with a +.3 exposure compensation. If I had to do it again, then +.7 or +1 would have been better as I almost always had to up the exposure in Lightroom.
Another kind of image is the underwater shot, which you can get when the dolphins decide to swim by the boat. They have a different kind of quality to them, more abstract, but quite pleasing to the eye, I think.
a dolphin swimming by the boat
This one was at 86mm (equiv.), ISO400, f5.6 (equiv), 1/1250th with +.3 exposure comp in camera.
Then of course you want to get the dolphin in all its glory, jumping, showing its face and smiling, with a sunset in the background yet fully front-lit as if by magic, no less. Good luck with that. I guess I have to come back to Madeira soon to be more lucky. Still I got some nice shots that are similar, but do not expect those to come easy or be fantastic out of the camera with any kind of consistency. Once you realise a dolphin jumps, it’s almost over and I guess you need a lot of experience to figure out how long a dolphin will swim submerged (and how long of a distance it covers) once it has jumped. It’s a numbers-game, really. Every 50 shots there’s a keeper and every 200 shots there’s one I consider really good. Over my total of 1200 shots there was none that I considered „great“, but that’s wildlife, no one said it was gonna be easy.
almost fabulous, but very far away
The shot above sort of has its merits because there is background to include.
Atlantic spotted dolphin gets its face wet
Here there is good sharpness and a great dynamic to the shot, but who wouldn’t want to see its face?
Bottle-nosed dolphins mocking me
This one I like, but it shows an additional calamity: where to point your camera? Will the one below jump soon or should I stay on the one in the top of the frame?
Here I had a sequence, but at the end of the buffering speed of my automatic drive, i.e. the shot before this one showed almost nothing, and here, the face of the Stenella is already submerged.
now we’re talking!
I do leave you with this almost great shot of a bottle-nosed dolphin, jumping right away from us!
A couple of weeks ago I went to Mallorca for holiday, tired of the gray and cold in Hamburg, it seemed like a good idea for all the right reasons. It was.
That being said, I did not expect too much as I did not know a lot about the island apart from it being the center of cheap – binging and behaving as the worst stereotype of your home culture as you possibly can. So we stayed in a pensioners‘ apartment hotspot. Good choice, well executed. Bingo! (except for the bingo part, there was no bingo, nowhere, I’m not good with numbers anyway)
We did all the sightseeing stuff we wished for, learned how fleur-de-sel is harvested, artificial pearls are made, went to the dragon’s cave (I was curious, but no, no dragon, probably never, so sad) and went to Valdemossa, a wonderful town terraced into a mountain. I do envy the people who are able to live in such a spectacular landscape. Not only, if you think about it, because I envy them for not having a need for vitamin D supplements.
This is part one of two, seascapes coming a bit later.
There is probably not too much to say about this, as the title is carefully crafted to relieve you of the need to use your imagination in even mildly exaggerated ways. So I’m back in my second home-town for a couple of days to meet old friends and to reflect on this year – which btw has been good when viewed through the lens of photography (see what I did there?).
It feels good to be back in Bochum for a while, everything feels familiar and friendly and troubles at home are far away and drift away quite nicely. Being here I had more coffee-dates with friends than even a caffeine junkie like me can handle easily, so I’m typing away on my tablet quite late at night. In the last two days I went out after dark to capture some impressions of this rugged and likeable town, which I hope you like. As I did not think of bringing a tripod, I could not do some of the stuff I wanted, like capturing clean images in the dark, so I had to ramp up my ISO quite madly, but the low resolution I use here will smooth over the rough edges, I guess.
Some weeks ago I went on holiday at the northern coast of Germany, more precisely, Sankt Peter-Ording. It’s a nice small village at the Watten-Sea, so there are nice museums, parks and informative exhibitions around that are connected in one way or the other to that national park.
I did not have any special photographic agenda there, but I took some shots at the Wattforum Tönning, the animal park St. Peter and the Westerhever Lighthouse. So this is an assortment but hopefully there is something in there for you to …
Most of my shots are ’sort-of-planned-in-advance‘, i.e. I know where I go (always helpful) and I know what I’m interested in, so I can bring the right lens and accessories. And that’s ok. But when I went to Sankt Peter-Ording a couple of weeks ago, I knew I wanted to have a postcardish shot of the famous lighthouse there. So on my third day there, I approached the subject much as I approached my other stuff, packed my camera bag, brought a tripod and decided to drive to the lighthouse. There I realized that I had to walk a couple of Kilometers only to get to the lighthouse, that I would have to wait for two hours in the cold to wait for sunset and that I had already got soggy-wet shoes from the saltmarsh. So, no. I had to get back.
At home I downloaded PlanIt!, a photography app that tells me the time of sunrise/sunset, the position of the sun and that can previsualize a shot based on Google-Maps and the information I entered about my Olympus EM1. That way I had a good understanding of the situation before I returned the next day to take the shot.
The photographic problem that the lighthouse presents is that it is only accessible from its northern side so that it is hard to even get some light on the lighthouse together with the sunset. But as it is situated in a national park it is not nice or ethical to simply walk around it. The solution light-wise is to make an HDR image. I decided on three brackets as you could only stand on rather squishy ground and I did not want my camera to wobble too much over the course of taking five images for each bracket. Having fixed the camera on a tripod I decided on doing a five-step panorama in portrait orientation (you can see a bit of that below).
Stitching all fifteen images together in Photoshop was a breeze and the result is somehow campy, but I like the colors a lot. You get a bit of background in the slide-show below and the actual image is on top of this blog-post. Enjoy!
coming towards the lighthouse – notice the difference in light quality
Travelling through a foreign country is nice, even if it’s only for the scenery. The most important aspect of going abroad is to meet new people, though, people with their different stories, backgrounds, wishes and goals. It is those encounters that shape my view of a country and make the journey worthwhile. Here you will find some people from a school in Tanzania that I work with in a partnership. That remote village in Tanzania is well-connected, though, because of the huge amount of work done by the Lutheran Church and partnerships in Germany. Asking the students about their dreams and wishes, you learn that they are all yearning for playing their part in society: doctors, lawyers, policemen, teachers.
Along the way you meet the guest-house owners, volunteers and the wonderful chefs. Great people from all over the world.
In other parts you find street-vendors, young and old, doing business, but their wishes and dreams? I do not know yet, though I have some ideas. In the lodges you and the driver can find some rest and the owners will fascinate you with their heritage between Europe and Africa, a rich and uneasy past, at times.
I cannot tell all the stories here, but maybe the faces spark your imagination.